Power Play Lounge by Knoll
In-Stock
Options
Overview
Description
Dimensions
Design Story
Knoll® Power Play In a Santa Monica workshop established by Knoll in 1989, Frank Gehry began experimenting with a new approach to material and structure, resulting in Power Play three years later. Gehry's groundbreaking collection of laminated maple chairs and tables was previewed at The Museum of Modern Art in New York. Inspired by the woven construction of apple crates he had played on as a child, Gehry began to weave thin strips of wood into lightweight fluid forms. The ribbon-like designs transcend the conventions of style by focusing on the essential challenge of integrating material and structure. Knoll® Power Play Features Frame: Constructed of hard white maple veneers in 2” wide, 1/34” thick strips laminated to 7 to 9-ply thickness with high-bonding urea glue. All wood grains run in same direction for resilience. Thermo-set assembly glue provides structural rigidity without the need for metal connectors, while allowing for ergonomic movement and flexibility. Backs on all chairs flex for added comfort. Glides: Clear plastic with matte frost finish Dimensions: Knoll® Power Play™ Knoll History ![]() The Knoll Company was founded in 1938 in New York by furniture craftsman Hans Knoll, who aspired to produce modern furniture that would be elegant, functional and affordable. In 1946, he married designer Florence Schust, who had been trained as an architect, and who would ultimately be recognized as one of the most influential women in 20th century design. She played a key role in the company's development, championing the Bauhaus approach and recruiting some of its most famous luminaries, such as Mies van der Rohe, Eero Saarinen and Marcel Breur, resulting in Knoll becoming the only authorized seller of the some of the world’s most revered mid-century furniture designs. Beginning in the 1940s, Knoll pioneered the concept of developing a working relationship with corporate clients and designing to meet their needs. In the ensuing decades, Knoll introduced tables to accommodate electronic technology, and office chairs with a fresh premise: rather than the sitter constantly adjusting the chair, the chair would adjust to the sitter! The result of this approach was a line of innovative office chairs combining ergonomic support with intuitive adaptability. Today, in addition to acclaim as a design leader, Knoll is also recognized for pioneering sustainable, “green” design policies designed to protect the biosphere. In recognition of Knoll's contributions, the Louvre's Musée des Arts Decoratifs in Paris staged a 1972 exhibit devoted solely to the company's furniture. Knoll also currently has more than 40 pieces in the permanent Design Collection of The Museum of Modern Art in New York. |




